The not too distant
· In May, Jer Thorp and I will lead a 3-hour workshop called "Archive, Text and Character(s)" on the ways in which "text can operate as a unique substrate for creative exploration." Here's an announcement.
· In January I'll be giving a talk in the UCLA Science Faculty Research Colloquium. Here is a poster for the event. If you are in LA, come by!
· In June, I gave a talk at the eyeo festival. Titled "Repetition and surprise, rehearsal and reinvention", it was about performance and experiencing data. The slides are here. I try to make a case for "performative data."
· In July, a version of Terre Natale will open at the Museum of Modern Art in NYC as part of their "Talk to Me" exhibition. If you are in NY, drop by! Here's MoMA's listing of the event.
· In June, we head on tour with the Elevator Repair Service, spending a couple weeks in Prague "in the boxes" of the Intersection project of the Prague Quadrennial.
· Our performance of Shuffle with the Elevator Repair Service made it into the New York Times! Read the article here. It was also written up by the New Yorker! You can see video and some great images here
· Nice article from Nieman Journalism Lab on the project I've been working on with Jer Thorp and Jake Porway at the New York Times.
· May 19th I've been invited to give a talk at the New York Academy of Sciences on "Data and Design". Read the NYAS announcement.
· May 21st and 22nd, The Elevator Repair Service will be performing "Shuffle," a new work that is the result of a year-long collaboration with Ben Rubin and I. The performance is part of the New York Public Library's centennial celebration and will take place in the DeWitt Wallace Periodical Room. If you're in NYC that weekend, drop by! Read the NYPL announcement.
· February 23-24 TTI/Vanguard (an "advanced technology conference") will host a series of presentations around the theme of "Design as strategy." Here is a tentative list of participants.
· I'll speak at the Hacks and Hackers meetup on data visualization on December 16th.
· I was on sabbatical Winter through Summer 2010. My time was split between the Research and Development Group at the New York Times and my humble abode in Los Angeles. At the Times, I was looking at how social media helps (re)distribute Times content; while at home, I was working on a text on exploratory data analysis (for the non-professional) and finishing some chapters for a book on information theory with Bin Yu.
· I was invited to give a talk at the R meetup in NYC. I spoke on a 6-week program in data analysis I created with teachers from LAUSD. It is part of a year-long program in computer science and the curriculum is organized around participatory sensing. Students learn computational methods for working with time, location, images and text. My slides (55Mb, ugh)
· I was asked to give a talk in our Seminar on the Teaching of Statsitics. Here is my attempt at describing how computational ideas fit into a lower-division course. [PDF of slides]
· November 21 2008 saw the opening of Terre Natale, Ailleurs Commence Ici, at the Cartier Foundation in Paris. It is the culmination of a summer-long collaboration with Diller Scofidio + Renfro, Laura Kurgan, and Ben Rubin that evolved under the watchful eye of Paul Virilio and the excellent curatorial staff at Cartier. The work moved to Copenhagen in December of 2009, and Bilbao in Summer of 2010.
· In academic year 08-09, the Center for Statistical Computing sponsored a seminar and a lecture series on non-professional practices of data collection and analysis. It was the second in a "series" of long-running events to understand the use of computing for scientific advancement, for advocacy and for cultural expression.
Projects
· Ben Rubin and I are starting another summer of work on an art installation in the lobby of the new New York Times Building. (This summer, recipes!) The piece is called Moveable Type; there was a nice story in The Times, as well some coverage on NPR's On the Media.
· Listening Post is an art istallation, a digital portrait of online communication. The installation opened at the London Science Museum in early February 2008, where it is still on view. You can also see it at The San Jose Museum of Art. Visit the home page of my collaborator, Ben Rubin; watch videos of the installation; read various reviews and media coverage




Mark H. Hansen
Professor of Statistics

Co-PI, Center for Embedded Networked Sensing

Courtesy appointments in the Departments of
Desgin|Media Art and Electrical Engineering, UCLA

8951 Mathematical Sciences Building
University of California, Los Angeles
Los Angeles, CA 90095

Tel: 310.206.8375
FAX: 310.206.5658

e-mail: cocteau@stat.ucla.edu

Research

I started my career at Bell Laboratories, easily the best private research lab on the planet. Given that background, my work tends to be grounded in applications. I often find myself analyzing large, complex data streams -- The context varies from environmental monitoring to the mechanics of information technologies. My current fascination is with so-called participatory sensing, projects that engage the general public in non-professional practices of data collection and analysis.

CV(5/09) | Patents and Papers | Talks ]

Teaching & Students
· 2010-2011 academic year
Stat 201b, Winter 2012
Regression Analysis: Model Building, Fitting and Criticism
MW 3:00-4:20
Stat 105, Winter 2012
Statistics for Engineering
MW 12:30-1:50
DESMA 259, Spring 2011
Data and the Media Arts
Stat 13, Spring 2011
Statistics for the Life and Health Sciences
MW 3:00-4:20
Stat 202a, Fall 2010
Statistical Computing
MW 3:00-4:20, 9413 Boelter
· Some older classes
Stat 260
Site specifics
Winter 2007
Stat 240, Fall 2009
Smoothing
TR 1:00-2:20, 5203 MS

Stat 101c, Spring 2009
Advanced Regression
MW 3:00-4:20, 9413 Boelter Hall

Stat 237, Spring 2007
Database Aesthetics
Tues 9:00-12:30, 5061 Broad

Stat 257, Winter 2007
Design, modeling and analysis
for embedded sensing
MW 3:00-4:20, 2042 Public Policy

· I am currently serving on several thesis/dissertation committees and am eager to work with more students



Captcha capta
Moving means selling junk, selling junk means Craigslist. Some of the Captcha's I had to fill out were a little unexpected.

Spam poetry
A new job, a new spam filter. While the setup at UCLA is effective, I've had a few important emails banished to an inaccessible quarantine area. Paranoid fool that I am, I decided to live life outside the the protective cushion of the Department's spam filters. Mistake. But I did start to appreciate a rhythm to my unsolicited email, a kind of poetry. Here are a few patterns that I've found strangely poignant.

My troubling decline
[12 subject lines, VIC0D1N e-mails, 10/04]

how is my brother hurting
your son hurting
your mother hurting
pain is killing you
assist your brother in pain
assist your brother with his suffering
is his sister in pain treatment
are you in pain
your father needs to cope with the pain
is her father suffering
is my boyfriend hurting
how is my boyfriend hurting


Berlioz's uncle
[15 subject lines, "mo r t gage" ads, 11-12/04]

the splash of waves
by blue night-lights. Out
Thoughts raced, short, incoherent
window-sill with his hand,
up still more...
Well, who knows, who
sang out. His eyes
more. But I pity
the woman meanwhile, without
Drink! said the executioner
water-soaked cloth of his
that the professor was
right out of you!
You see, Poplavsky began
the next door bore


Spam Waugh
[Senders of pornographic spam, ads, 2/15-3/20/05]

Giggler C. Gilgamesh
Axiom M. Isolationism
Insinuations P. Ability
Strowe L. Transmuted
Archaeologist A. Machs
Punched O. Vilification
Sedatest Q. Sushing
Forced Q. Sadness
Unimpressive U. Counterfeited
Generalities S. Gnaw
Chastity J. Misleads
Insemination D. Solitaries
Fortyfying F. Shipwright
Muddiest E. Ladybird
Detected I. Pitchmen
Unknowable S. Easiness
Dixon D. Gurgles
Demand R. Tautly
Sourpuss I. Translator